by Roberta Smith
New York Times
April 11, 2008

Located at the overpopulated intersection of collage and assemblage — and using a combination of magazine images, found paper, tape and cast-off domestic building materials — this work avoids many of the current clichés. Everything is used sparely and with a geometric sense of structure; details stand out and include drawing, applications of color and little touches that may or may not be accidental. All is revealed. Thought and physical precision foment a kind of resurrection.